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Midnight and Blooms

April 16, 2026 by Lauren Zogg

a hand-built stoneware vessel with a low, rounded form and an uneven, organic rim. the exterior is finished in a matte, chalky white with warm, earthy undertones, giving it a softly weathered surface. sculpted floral elements cluster along the rim, their layered, slightly oversized petals creating a sense of movement and tactile richness. inside, a deep, glossy blue glaze provides striking contrast, pooling against the raw exterior. the piece feels sculptural and expressive, balancing delicacy with a grounded, natural presence.

Blanca and Blooms

April 16, 2026 by Lauren Zogg

a hand-built stoneware vessel with a rounded, bowl-like form and a gently irregular rim. the surface is finished in a matte, chalky white, with subtle variations and faint marks that emphasize its handmade character. sculpted floral elements sit on opposite sides of the rim, their soft, layered petals adding dimensional contrast and a delicate, organic touch. the piece is elevated on small, rolled feet, reinforcing its sculptural presence. overall, it feels quiet, refined, and tactile, with a balance of simplicity and expressive detail.

Plant Wisdom

April 14, 2026 by Lauren Zogg

an abstract composition of layered, leaf-like shapes scattered across a painterly background. the palette features soft grays, off-whites, muted blues, and touches of beige and charcoal, creating a cool, atmospheric feel. the repeated organic forms overlap and vary in size, suggesting gentle motion, like drifting leaves, while maintaining a balanced, rhythmic flow.

Plethora

April 14, 2026 by Lauren Zogg

an abstract, light-toned composition with a textured white surface subtly embossed with floral and leaf-like patterns. at the center-left, a loose cluster of small, imperfect oval rings in black, blue, and muted tones gathers into a soft, circular form, creating a focal point. scattered around are delicate, petal-shaped elements in pale blues, grays, and beiges, lightly dispersed across the surface. the piece feels airy and minimal, with a gentle contrast between the central cluster and the quiet, open background.

Message Board

April 14, 2026 by Lauren Zogg

an abstract composition defined by vertical, linear marks layered across a pale, painterly ground. soft whites and grays dominate, with thin streaks of black and muted blue creating a sense of rhythm and movement. faint, sketch-like symbols and subtle forms emerge beneath the surface, giving the piece a quiet, atmospheric depth.

Lotus

April 14, 2026 by Lauren Zogg

an abstract, layered composition built from a grid of soft, tonal blocks in shades of gray, white, and muted blue. over this structured patchwork, loose, gestural linework—mostly in white with moments of black and hints of blue—moves freely across the surface, creating a sense of contrast between order and spontaneity. the marks feel scribbled and organic, looping and overlapping, with occasional floral or leaf-like shapes emerging briefly before dissolving back into abstraction. areas of opacity shift throughout, giving the piece a hazy, atmospheric depth.

Dropping In

April 14, 2026 by Lauren Zogg

a minimalist abstract composition on a soft cream ground, with sparse black linework forming loose, botanical-like shapes and simple symbolic forms. subtle touches of muted blue and blush add gentle contrast, while a vertical beige-gray block on the right anchors the piece.

Broadcast

April 14, 2026 by Lauren Zogg

an abstract, softly layered composition in warm neutrals and pale grays, featuring a central, delicate black line drawing of a vertical plant form. subtle leaf-like shapes and faint geometric patches are dispersed across the surface, with small accents of blue and ochre. the piece feels light and balanced, with a gentle, botanical rhythm set against a textured, atmospheric ground.

2000 Steps in a Mile

April 14, 2026 by Lauren Zogg

an abstract, rhythmic composition made up of tightly arranged horizontal rows of short, vertical marks. the palette is cool and restrained, shifting between shades of blue, gray, and black on a white ground. the repeated strokes vary slightly in tone and spacing, creating a subtle sense of movement and texture. overall, the piece feels structured yet organic, like a woven or textile-inspired pattern with a calm, meditative cadence.
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